Lack of Self-Recognition: Creon displays a stubborn refusal to acknowledge his own errors. Despite the catastrophic consequences of his actions, Creon remains steadfast in his belief that he has acted justly. This lack of self-awareness hinders his potential for learning and personal growth, which is crucial for an Aristotelian tragic hero.
Excessive Hubris: Creon's excessive pride and arrogance contribute to his downfall. His unwavering belief in his own judgment and authority blinds him to the potential flaws in his decisions and the suffering he inflicts on others. This hubris prevents him from achieving the cathartic recognition and reversal of fortune that characterize an Aristotelian tragic hero.
Absence of Redemption: An essential aspect of the Aristotelian tragic hero is their ability to experience a transformative moment of recognition and remorse. Creon, however, does not undergo such a moment. He remains unrepentant and defiant even after realizing the devastating impact of his actions. This lack of redemption undermines his potential to evoke pity and fear, essential emotional responses in an Aristotelian tragedy.
External Rather than Internal Conflict: Creon's conflict primarily stems from external circumstances rather than internal struggles. While he faces obstacles and challenges, these are largely imposed by others, such as Antigone's defiance and Tiresias' prophecies. This diminishes the tragic dimension of his character, as it suggests that his downfall is primarily due to external factors rather than inherent flaws within himself.
Limited Empathy and Catharsis: Creon's lack of empathy for others prevents him from fully engaging the audience's emotions. His inability to understand the perspectives and suffering of others, such as Antigone and Haemon, reduces the potential for catharsis, which is a crucial aspect of Aristotelian tragedy. Without this emotional connection, the audience may struggle to empathize with Creon's downfall.
Shift in Focus: As the play progresses, the focus shifts from Creon to Antigone, who emerges as the more compelling tragic figure. Her unwavering commitment to her beliefs, her internal conflicts, and her tragic fate overshadow Creon's own struggles, further diminishing his role as the central tragic hero.
In conclusion, while Creon possesses certain tragic attributes such as his high social status, his fall from power, and his recognition of his errors, his character ultimately lacks the depth, self-awareness, and transformative journey required of an Aristotelian tragic hero. Instead, the play places a greater emphasis on the tragic heroism of Antigone, whose story aligns more closely with the traditional parameters of Aristotelian tragedy.