Remove tape from all floor-fixed cables. You may need to use a screwdriver or box cutter to tear tape used to bundle cables. Always cut away from yourself, while being mindful of both the cables and those working around you.
Disconnect cabling from microphones, instruments, amplifiers, and other back line (any of the equipment that runs along the back part of the stage). Make sure that everything has been powered down before unplugging any cables.
Coil all cables individually in uniform loops of approximately two feet around your arm. Make sure to add a half-twist with each loop to keep the cables from coiling unnaturally.
Store the cabling in the appropriate location (usually a cabling box with specific labels for its location and purpose). It is crucial to make sure that your fingers and the cables remain well clear of the hinges or seams of the box as they are closed because the metal rims will cut both very easily.
Place back line and other electronic gear into the appropriate cases. Microphones and sensitive gear will come with form-fitting foam. Make sure that these items are secured snugly within the contours of the packing and that no extraneous edges hang out when you close and seal them.
Remove the front of house mount screws for a section of the staging with your crescent wrench. You may need a flashlight to locate them if the house lights are insufficient. You will be working in tandem with many others on this process, so take care of your space as well as theirs.
Lift the stage panel from your section of the stage. These panels will require at least one other person to remove due to their size. Be especially aware of your partner as you remove it and announce to those nearby what you intend to do so they can keep clear.
Load the panel in the panel cart. These carts will need to be wheeled away when full to either the warehouse or transport vehicle depending on your storage needs.
Break down the remainder of the staging framework that was used to support the panel. Each support section will break down into multiple smaller sections, attached primarily by clips, but occasionally by screws. Place the clips into an unused pocket in your tool pouch until you finish.
Place each section of the support into the appropriate transport cart. These are usually made of lightweight aluminum and will be easy for a single person to carry. Repeat the process until all the stage panels and supports are stored.
Direct the riggers as they lower overhead lighting, mounts, and other rigging elements to the house floor. You should be especially mindful of their comments because these elements of the equipment are heavy and could pose a lethal hazard if dropped due to error or malfunction.
Disconnect the lighting mounts from the frames with your crescent wrench. Once again, your flashlight is a valuable helper in low-light staging areas. Make sure to be wary of any cabling that needs to be handled with the lights as you may need to cut or remove mounting tape in some instances. In tight areas, you can use the multi-tool to extract tape or cables where fingers might not reach.
Store lighting and other fixtures in the appropriate carts or cases. Depending on the lighting mounts, some are stored as a bundle, while others are stored in individual cases.
Break down lighting and rigging frames. Use the screwdriver, crescent wrench, and multi-tool as needed. Store the elements in the appropriate carts.
Push all of the carts to the appropriate storage locations. If you are moving these carts across uneven terrain, ramps, or into trucks, employ the aid of others for safety.
Remove all fasteners from your pouch and store them in the appropriate cases.
Scout the floors for loose bits of equipment such as screws, nuts, and other fasteners. Store them as needed.
Break down and remove all barricades or partitions as needed. Place them in the proper storage area.
Return all previous equipment to its former location. This can be as simple as setting up a few chairs or as complicated as resetting the turf on a stadium floor. In either case, there are stage managers and other teams dedicated to directing this purpose.