Develop psychological and aesthetic ideas in order to express your attitude towards your characters and convey your sensibilities. Sometimes filmmakers choose to tell a story through the POV (point of view) of their main characters. Through a close-up (a shot of a character at close distance) the filmmaker can convey transparent reactions of the protagonist. Through a reaction shot (a shot of the subject looking off screen) the filmmaker can show a character's emotional response to a particular action in the context of a scene.
Use various choices of camera angles to show how you feel about the characters or how you want your audience to feel about them. A high camera angle makes your viewers look down on your subject. A low camera angle makes them look up. If you assume the omniscient point of view, use long shots that create a broad distance between the camera and the subject.
Visualize your camera movements. Carefully draw your pans and tilts. A pan is a horizontal movement of the camera in a shot from point A to point B. A tilt is a vertical camera movement.
Experienced, imaginative storytellers have a variety of visual tools to show transitions between scenes, all of which can be conveyed in your storyboards. For example, a dissolve is an overlapping transition between two shots. A fade out is a transition in which your shot gradually darkens to black. A fade in is the reverse--a black screen gradually brightening to reveal an image.