Cunningham often chose non-traditional performance venues, such as parking lots, warehouses, and even streets, to challenge the traditional concept of stage space.
2. Manipulation of stage design:
Cunningham worked closely with scenic designers to create sets that transformed the stage environment. He played with light, projections, and moveable structures to alter the perception of space.
3. Interaction with props:
He integrated everyday objects or found materials as props for dancers to interact with. These objects brought new spatial relationships and physical challenges for the choreography.
4. Spatial pathways:
Cunningham explored concepts of proximity and distance by designing intricate patterns of movement through space. His dancers navigated intricate pathways on stage, forming dynamic spatial compositions.
5. Multi-level arrangements:
He experimented with different heights by elevating platforms and suspending dancers overhead. These layers in space allowed for visually distinct movement sequences.
6. Asymmetry and Balance:
Cunningham broke away from symmetrical choreographic patterns. Dancers occupied asymmetrical positions onstage, exploring spatial dynamics beyond conventional symmetry.
7. Individual and Group Space:
His choreography explored the interactions between individuals and the collective group in shared space. Cunningham played with density and dispersion of dancers on stage.
By experimenting with these spatial elements, Merce Cunningham expanded the language of modern dance and challenged audiences to rethink how they perceived movement in relationship to space. His innovative approach redefined the spatial boundaries of dance performance and influenced several subsequent generations of dance makers.