During the Interregnum, the theatres were closed by the Puritans, who considered them to be sinful and immoral. When Charles II returned to power, he reopened the theatres and encouraged the production of new plays. The Restoration period saw a flourishing of theatrical activity, with the emergence of new playwrights, actors, and theatrical companies.
Restoration theatre was characterised by its bawdy, satirical, and often politically charged content. Comedies often made fun of the Puritans and celebrated the return of the monarchy. Tragedies were often based on historical events or classical mythology, and were often used to explore political themes.
Some of the most famous Restoration playwrights include William Congreve, George Etherege, and Aphra Behn. Congreve's plays, such as "The Way of the World" and "Love for Love," are known for their wit and sharp social satire. Etherege's plays, such as "The Man of Mode" and "She Would if She Could," are known for their bawdiness and humour. Behn's plays, such as "The Rover" and "The Lucky Chance," are known for their strong female characters and feminist themes.
Restoration theatre was a vibrant and exciting period in the history of English theatre, and its influence can still be seen in theatre today.