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What are the tenor arias in Messiah?

Here are some of the most famous tenor arias in Handel's Messiah, along with their movements in the oratorio:

Part I:

* "Comfort ye, comfort ye" (No. 1): This is one of the most iconic arias in the entire work, known for its soaring melody and hopeful message of comfort.

* "Ev'ry valley shall be exalted" (No. 2): A powerful aria about the coming of the Messiah, showcasing the tenor's range and dramatic abilities.

Part II:

* "He was despised and rejected" (No. 45): A poignant and moving aria depicting the suffering of Christ, with beautiful vocal writing.

* "Thou art gone up on high" (No. 50): This celebratory aria rejoices in Christ's ascension to Heaven, featuring dramatic contrasts between sections.

* "Their sound is gone out into all lands" (No. 51): A less well-known aria, but one that highlights the tenor's agility and expressiveness.

Part III:

* "Why do the nations rage?" (No. 53): A stirring aria with a powerful message about God's sovereignty over all.

* "The trumpet shall sound" (No. 57): A grand and majestic aria about the Last Judgment, showing off the tenor's full vocal power.

Other Notable Tenor Arias:

* "Rejoice greatly, O daughter of Zion" (No. 15): A celebratory aria from Part I, often paired with "Comfort ye".

* "He shall feed His flock like a shepherd" (No. 44): A moving aria about Christ's compassion and care for His followers.

Important Note: While these arias are generally considered to be for tenor, there are sometimes variations in the casting, and they may be performed by a baritone or countertenor depending on the specific production.

Enjoy exploring these incredible arias and experiencing the beauty and power of Handel's Messiah!

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