Insistence upon the rank of tragic hero or so-called nobility his character is really but a clinging to outward forms tragedy?

In tragedy, the protagonist, or tragic hero, is a complex and multifaceted character who often possesses both admirable and flawed qualities. While tragic heroes may display nobility and exhibit heroic qualities, their downfall is ultimately brought about by their own tragic flaws, or hamartia.

Insisting on the rank of tragic hero or so-called nobility of character in a tragedy may be seen as a superficial or incomplete understanding of the genre. True tragedy delves into the complexities of human nature and explores the causes and consequences of human suffering. It recognizes that even noble characters can be subject to downfall and that external factors, such as fate or societal forces, can contribute to their tragic circumstances.

By focusing solely on the rank or nobility of a character, one may overlook the deeper themes and insights that tragedy offers. The insistence on outward forms of heroism or nobility may also detract from the exploration of the character's inner struggles, moral dilemmas, and the universal human experiences that tragedy seeks to illuminate.

To fully appreciate tragedy, it is necessary to go beyond superficial notions of heroism and nobility and delve into the complexities and nuances of the characters and their journeys. True tragedy lies not only in the downfall of lofty heroes but in the exploration of the human condition, the interplay of fate and choice, and the profound emotions and insights that arise from these struggles.