The term "fixing the space" is often used in conjunction with "blocking," which refers to the movement of actors and objects within the stage space. By working together, directors, actors, and technical staff can create a cohesive and believable theatrical experience for the audience.
Here are some of the considerations involved in fixing the space for a dramatic production:
* The physical dimensions of the stage. The size and shape of the stage will dictate the number and arrangement of sets and props.
* The sight lines of the audience. The audience should be able to see all of the action on stage, regardless of their seating location.
* The lighting design. The lighting can be used to create different moods and atmospheres, and to highlight important elements of the set and actors.
* The sound design. The sound can be used to create sound effects, musical accompaniment, and voice reinforcement.
By carefully considering all of these factors, directors and designers can create a theatrical space that is both visually appealing and functionally effective.
Here are some specific examples of how fixing the space can be used to create dramatic effect:
* In a play about a claustrophobic character, the set might be designed to be small and cramped, with low ceilings and few windows. This would create a sense of unease and tension for the audience.
* In a play about a love affair, the set might be designed to be beautiful and romantic, with soft lighting and flowers. This would create a sense of intimacy and passion for the audience.
* In a play about a war, the set might be designed to be barren and desolate, with rubble and barbed wire. This would create a sense of danger and despair for the audience.
By carefully crafting the physical environment of a theatrical production, directors and designers can create a powerful and moving experience for the audience.