Kodály did not invent musical handsigns, but he did popularise their use in music education. The use of handsigns to represent musical notes was first developed in the 19th century by a French monk named John Curwen. Curwen's system, known as the tonic sol-fa method, was based on the idea of using handsigns to represent the different pitches of the musical scale. Kodály adapted Curwen's system for use in his own music education methods, and it has since become widely used in music education around the world.