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Indelible Black Writing Fluid Used in Calligraphy

The art of calligraphy, thousands of years old, prizes the act and permanence of writing. Using waterproof, or indelible, inks, the calligrapher creates art that will last at least hundreds of years. Buying ready-made indelible ink provides a handy bottle for calligraphers.

Purists make their own ink from sumi stones, which are blocks of soot from pine mixed with special vegetal oils and fish or animal glues. Grinding with the suzuri stone and water yields indelible ink.
  1. Buy Indelible Waterproof Ink

    • Calligraphers artfully present their writing with special style, papers and inks.

      Artfully creating calligraphy forms in any language or motif requires attention and skill. Calligraphers usually want their art to last for many years. Using the right acid-free, high rag content paper and indelible or waterproof ink provides the artist with the greatest opportunity for a long-lived presentation.

      Indelible inks usually have a thicker consistency and are used for bolder lines. The consistency tends to clog brass pen nibs, so most calligraphers recommend keeping a dish of clean water to frequently clean the nib of residue.

      Recommended ready-made waterproof inks include Herbin Indelible Inks. These inks are also solvent resistant. Herbin's Authentique ink, also known as lawyer's ink, was used to prepare official texts. Containing campeche wood tannin, the ink will remain legible for at least 300 years, Herbin's says.

    Sumi Sticks and Suzuri Stones

    • Calligraphers use indelible black and colored inks.

      Making calligraphy ink offers new calligraphers an opportunity to experiment with ink texture and consistency. Sumi or ink sticks, such as those offered by Yatsutomo, are inexpensive and often beautifully packaged.

      To make indelible calligraphy ink, start by pouring a few drops of water at room temperature on the surface of the sumi stone, or ink stick. Knowing how much water to add is part of the art of making ink, so experiment at first.

      Hold the stick vertically when grinding with the suzuri stone. Rub the ink stick in a circular motion against the suzuri. As you continue to grind, note that the intensity of the black ink color increases. The sumi powder solids add to the depth of color when combined with water.

      Test the ink for the depth of color you want. Japanese artists refer to the Five Colors, or shades of black, formed from different parts of sumi stick and water. Dispose of any unused ink, and wipe the sumi stick dry. Store the stick away from moisture and light.

    The Zen of Ink-Making

    • Asian calligraphers prepare their tools and minds to create art forms.

      Ancient Asian methods require making the ink and preparing the tools prior to writing. Over the past 3,000 years, instructors have taught their students to make ink from sumi sticks and suzuri stones. According to some masters, buying prepared ink defeats the purpose of becoming one with the creation.

      In Japanese calligraphy, making the ink affects the quality of the line, sen and the color of the ink, bokushoku. Therefore, making the ink becomes an integral part of creating the calligraphic art form.

    Commercially Prepared Sumi Ink

    • Many artists also use prepared, or Bokuju, ink.

      Though challenging to the mindful art of some calligraphy masters, artists everywhere may want to keep prepared and stabilized, or Bokuju, ink available. Moon Palace and Best Bottle sell prepared ink. Sixty ounces costs about $75.

    Pens Used with Indelible Ink

    • Use dip pens with nibs and reservoirs with indelible calligraphy ink.

      Because of the viscosity of indelible calligraphic inks, use dip reed, wood and metal pens with nibs and reservoirs, or Asian brushes. Clean thoroughly during and after each use.

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