Abstract dramas often challenge the traditional boundaries of theatre, and can incorporate elements of dance, music, and visual art. They may also be presented in unconventional performance spaces, such as galleries, warehouses, or even outdoor settings.
Some examples of abstract dramas include:
* Samuel Beckett's Waiting for Godot
* Harold Pinter's The Caretaker
* Edward Albee's Who's Afraid of Virginia Woolf?
* Tom Stoppard's Rosencrantz and Guildenstern Are Dead
* Sarah Kane's Blasted
Abstract dramas can be challenging and demanding for audiences, but they can also be highly rewarding. They offer a unique and thought-provoking way to explore complex ideas and emotions, and can open up new possibilities for theatrical expression.