- Tonality: The poet describes the forest notes as "clear and sharp," while the bridal songs are "soft and low," and the cradle songs are "sweet and gentle." This suggests that the forest notes are more invigorating and stimulating, while the bridal songs and cradle songs are more soothing and calming.
- Rhythm: The forest notes are described as "wild and free," while the bridal songs and cradle songs are "measured and regular." This suggests that the forest notes are more spontaneous and unpredictable, while the bridal songs and cradle songs are more structured and predictable.
- Purpose: The forest notes are described as "a song of joy," while the bridal songs are "a song of love," and the cradle songs are "a song of peace." This suggests that the forest notes are intended to inspire happiness and excitement, while the bridal songs and cradle songs are intended to inspire love and peace.
- Overall effect: The poet ultimately concludes that the forest notes are "the sweetest music of all," suggesting that they are more powerful and moving than the bridal songs and cradle songs. This suggests that the poet finds the natural beauty of the forest to be more inspiring and meaningful than the beauty of human love or the innocence of childhood.