Urie's vocal range, based on scientific analysis, extends from the low note of F2 to the high note of C7, encompassing a total of 43 notes.
Low Range (F2-C4)
At the lower end of his range, Urie demonstrates a strong and resonant voice. He confidently navigates this register in songs such as "Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes Off" and "The Good, the Bad, and the Dirty." His vocal approach in these tracks highlights his ability to bring out a rich, soulful quality in the lower register.
Middle Range (C4-F5)
Urie's middle range is incredibly versatile, enabling him to switch between soft and powerful deliveries seamlessly. Songs like "Nine in the Afternoon" and "I Write Sins Not Tragedies" showcase his command of this vocal zone, allowing him to blend power and emotion with effortless precision.
High Range (F5-C7)
The most impressive aspect of Urie's vocal range lies in his remarkably high register. He reaches astonishing heights with ease, as demonstrated in songs such as "High Hopes" and "Emperor's New Clothes." Urie's ability to sustain these high notes with impeccable clarity and control sets him apart as an exceptional vocalist.
In addition to his wide vocal range, Urie also possesses exceptional technical skills and vocal agility. He effortlessly transitions between different registers, executes intricate vocal runs, and demonstrates great control over his voice. His diverse vocal approach has allowed Panic! at the Disco to experiment with a variety of musical styles, further solidifying Urie's status as a versatile and gifted performer.
Overall, Brendon Urie's four-octave vocal range, coupled with his technical prowess, contributes significantly to the unique and captivating sound of Panic! at the Disco. His ability to transition seamlessly between various registers, deliver heartfelt performances, and reach impressive heights makes him one of the most talented vocalists in contemporary pop music.