* Positioned at the front of the choir, directly behind the conductor.
* The highest vocal section, typically consisting of women and boys with high voices.
* Soprano 1 and Soprano 2 sections may be divided to create a richer and more complex sound.
Altos:
* Positioned behind the sopranos, but still in the front of the choir.
* The second-highest vocal section, typically consisting of women with lower voices.
* Alto 1 and Alto 2 sections may be divided to add depth and fullness to the choral sound.
Tenors:
* Positioned on the right side of the choir, behind the sopranos and altos.
* The highest male vocal section, typically consisting of men with higher voices.
* Tenor 1 and Tenor 2 sections may be divided to provide greater flexibility and balance in the choral sound.
Basses:
* Positioned on the left side of the choir, behind the sopranos and altos.
* The lowest male vocal section, typically consisting of men with deeper voices.
* Bass 1 and Bass 2 sections may be divided to add weight and resonance to the choir's foundation.
Additional considerations:
* The structure of the choir may vary depending on the size and musical requirements of the ensemble.
* The conductor may adjust the positioning of the sections to achieve the desired vocal blend and balance.
* The choir's risers or seating arrangements should provide good sight lines for all singers and ensure clear communication with the conductor.