Stravinsky's early compositions were influenced by Russian folk music and the music of Nikolai Rimsky-Korsakov. Notable works from this period include:
* Symphony in E-flat major (1907)
* The Firebird (1910)
* Petrushka (1911)
* The Rite of Spring (1913)
Neoclassical Period (_c_. 1920–1954)
In the 1920s, Stravinsky turned away from the complex, dissonant music of his Russian period and began writing in a more neoclassical style. His works from this period are characterized by their clarity, precision, and use of classical forms. Notable works from this period include:
* Pulcinella (1920)
* Concerto for Piano and Wind Instruments (1924)
* Oedipus Rex (1927)
* Apollon musagète (1928)
Twelve-Tone Period (_c_. 1945–1968)
In the 1940s, Stravinsky began experimenting with twelve-tone technique. His works from this period are characterized by their complex and dissonant textures. Notable works from this period include:
* Symphony of Psalms (1930)
* Concerto for Strings in D (1931)
* Concerto for Two Pianos (1935)
* Symphony in Three Movements (1945)
Avant-Garde Period (_c_. 1958–1971)
In the 1950s and 1960s, Stravinsky experimented with a variety of avant-garde techniques, including aleatory music and musique concrète. Notable works from this period include:
* Agon (1957)
* Threni (1958)
* A Sermon, a Narrative, and a Prayer (1961)
* The Flood (1962)