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Types of Music Copyrights

You and your band have just written the greatest song in the world, and it has been a hit at your live shows. The next step on your agenda is to get the song's demo recorded and upload it to your favorite social website. You will need to become a member of a Performing Rights Organization and learn the different music copyright licensing procedures to protect yourself from the song sharks out there who may want to steal your creative property.
  1. Mechanical License

    • A mechanical license is the licensing of copyrighted musical compositions for the recording, distribution and agreed-upon amount per unit manufactured and sold. The Harry Fox Agency is one of the main mechanical license providers, working on behalf of the music copyright holder to license, collect and distribute royalties (see Resources).

    Public Performance License

    • A Performing Rights Organization (PRO) such as BMI, ASCAP and SESAC, acts on behalf of the music copyright holder. The main core of the organization is issuing licenses to perform the work in public. The organization also works to distribute the royalties owed to the copyright holder.

    Synchronization License

    • Setting your copyrighted music to time-stamped audio-visual images or film and video requires a synchronization license issued to the producer of the work. The license allows the producer to use your work in conjunction with his work.

    Digital Performance Right in Sound Recordings

    • This is the newest music copyright in the U.S. Copyright Laws. A record company issues an exclusive right or license on behalf of the copyright holder to authorize digital transmissions, such as Internet streaming of the copyrighted composition.

    Print License

    • A print license authorizes the copyright owner's composition to sell in print form, such as sheet music or folio. Print licenses go to companies that manufacture and distribute printed music. The companies then pay a royalty to the copyright owner.

    Foreign License

    • A foreign license happens when a foreign agent utilizes the mechanical, performance, synchronization and print license of the copyright owner's music composition in the foreign land and then pays a percentage of the royalties collected from their country to the copyright holder or music publisher.

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