What is the Texture of Sonata No 3 in B minor?

Sonata no 3 in B minor, written by Franz Liszt, has a rich and varied texture. It features elements of both monophony and polyphony, with occasional sections of homophony. The opening movement, Allegro Assai, begins with a monophonic theme played by the piano alone. This theme is then imitated by other voices in a polyphonic section, creating a complex and dynamic sound. The second movement, Un Poco Adagio, is more homophonic in texture, with the piano playing the main melody and the other instruments providing accompaniment. The third movement, Allegro Deciso, returns to a more polyphonic texture, with multiple voices weaving in and out of each other to create a sense of urgency and excitement. Overall, Sonata no 3 in B minor showcases Liszt's mastery of texture, creating a work that is both intricate and expressive.