Before one endeavors to write the epic of all epic flicks, it's good to remember a few things: Every good story requires -- and don't be surprised -- a good idea. A central character overcoming insurmountable odds, the great epiphany, or the struggle of good vs. evil are conflicts that represent something central to the stories people tell and know -- the events people can identify with -- and all allow for resolution. While complete resolution is not always offered in all stories, it is key to most.
Every good story requires developed characters who present the dilemmas that an audience experiences for two hours (give or take) of suspended disbelief. A happy audience is one that has seen "memorable human beings reacting to scary, romantic or exciting situations," according to Scriptfrenzy.org, a website geared toward helping aspiring script writers. When screenwriting, an author may do well to think of Han Solo, the Godfather and Peter Venkman, Ph.D. as a few characters who may live forever in the collective memories of satisfied audiences. Script Frenzy also advises: When "creating characters and filling out their personalities and pasts, don't be afraid to add major flaws and foibles." As well, it is important not to neglect the supporting characters. "Romeo and Juliet" would not be what it is without the Montagues, Capulets, Friar Laurence and Mercutio.
Just as one would create an outline before writing an essay or novel, so one is recommended to engage in this exercise before creating any type of script, especially the screenplay. Before engaging in screenwriting, the blueprint will allow the author to compartmentalize the different acts and scenes, the transitions characters make, and the progression of the storyline so that the actual script comes together within its required format.
It is important to note that those who decide whether a TV script or screenplay will be developed into a final product for screen are in a business to make money. Jill Foster, Ltd. (JFL), an agency that represents writers working in film, television and theater, offers practical guidelines for script presentation. The first thing noted by JFL is that most readers of scripts want to know what a story is about and if the writer can actually write. Every script, screenplay or otherwise must observe the laws of construction -- there are specific ways to write scripts for each genre. Information on how to write scripts, including examples on required script formatting, is available from Scriptfrenzy.org and other sites geared toward assisting writers. Software is available for those who prefer a simpler route. Every scriptwriter must know how to write his script. If he does not observe the proper formatting regulations, no reader, whether a producer, agent, director or actor, will ever see it.