Film production can be a very competitive field to break into, especially if you are attempting to land a high-end job such as directing or producing. The best way to get a foot in the door in film production is by interning or becoming a production assistant, also known as a PA. According to the Bureau of Labor Statistics, independent or small film productions can provide strong prospects for newcomers. Becoming a PA or intern on a small, independent shoot will pay little to nothing but the potential to establish contacts, gain experience and develop a resume is beneficial in all future endeavors. PAs or interns will provide assistance in the day-to-day operations of a production by carrying gear, building sets, answering phones, filing papers, driving talent, getting food, cleaning or working on any task that needs to be completed.
Productions take place all over the world, but the highest concentration is in Los Angeles, California and New York City, in addition to other major cities. According to the Bureau of Labor Statistics, work can take place in comfortable studio or office environments. If working on location, work can be in any weather or in any condition, including extreme heat or cold. If working as a pre- or post-production technician such as a writer, video editor or sound engineer, it is possible to work in isolation for extended periods of time. The BLS says that it is not uncommon to work very long hours in the evenings or on weekends, as well under extreme stress to meet strict deadlines.
The BLS says that the most important asset in achieving success in film production is real-world experience, talent, creativity and professionalism. Formal training can be beneficial as well. Entering a communications program at a university that offers classes and concentrations in film, television or video production can lead to internship opportunities and worthwhile contacts that provide many benefits later in your career. Two notable colleges with highly regarded film programs are New York University and University of Southern California in Los Angeles.
According to the BLS, pay can range from less than $10 an hour to well over $50. Pay varies widely and can depend on job type, experience and union affiliations. In 2008, the average weekly wage of employees in the field was $627. Editors and other post-production employees can earn an average of $27 an hour. Producers and directors can earn about $41 an hour. In Hollywood studio productions it is possible to earn millions per production, but that is uncommon and usually occurs after careers have been fully established and multiple successes have been proven.
The BLS says that there are many opportunities in technical areas such as multi-media artistry, animation, editing and computer imaging; 29 percent of production employees work in television and radio broadcasting, and 15 percent work in film and sound production. In 2008 over 114,000 people were employed in fields of production, most in audio and video engineering. Opportunities are available for set construction workers, electricians or gaffers, as well. The BLS says that applicants outnumber available jobs in the more glamorous areas such as acting, directing, producing and writing. It says that the best opportunities are available in independent productions due to the advent of digital production, which has greatly cut costs and opened doors to artists without access to large cities, or elite artistic circles.