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What is it about the flat world that both excites Friedman and fills him with dread?
Friedman does not discuss a flat world in the book "Thank You for Being Late". Would you like to get an overview of the book "Thank You for Being Late"" instead?
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The opposite of a routine excistence?
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How does Gilman use changes in language (diction tone) to affect the shift from seeming sanity madness?
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