This poem can be broken down into three distinct stanzas consisting of four lines each, with the first and third stanzas sharing a similar structure.
Stanza 1 introduces the readers with an allusion to the Bible as it mentions the Tower of Babel, a symbol of miscommunication and division. This sets the tone for the poem depicting a family divided and unable to communicate effectively. This lack of communication leads to isolation, with no one understanding or empathizing with one another’s emotions or perspectives.
The second stanza focuses on the concept of “inbred fears,” suggesting that the dysfunctional dynamics have been perpetuated over generations. The children are caught up in the patterns set by their parents and grandparents and are unable to escape them, leading to a feeling of inevitability and entrapment.
In contrast, the third stanza depicts a scene of harmony, with “children dancing at the New Year,” and “the women at the piano singing.” This offers a glimpse of what the family could be, a happy and united unit, but it remains unattainable due to the underlying issues and misunderstandings.
The poem concludes with the line, “All the old wounds opening.” This emphasizes the persistent nature of the family’s problems, showing that despite attempts to move on or start anew, the old issues and emotional scars continue to resurface and prevent healing or progress.
“Family Affairs” serves as a poignant reflection on the intricate yet often troubled dynamics within families. Jennings highlights how generational cycles of pain, isolation, and miscommunication can keep a family from ever truly thriving.