Here are some examples of the use of "profaners" in Shakespeare's works:
- In "Romeo and Juliet," Romeo uses the term to describe the Montagues and Capulets, the rival families that feud and cause chaos in Verona. He exclaims, "Deny thy father, and refuse thy name, / Or, if thou wilt not, be but sworn my love, / And I'll no longer be a Montague. / Call me but love, and I'll be new baptized; / Henceforth I never will be Romeo." This suggests that Romeo views the familial feuds and societal expectations as profane and sacrilegious, preventing him from being truly united with Juliet.
- In "King Lear," the term "profaners" is used by the character of Edmund, who plots to overthrow his father, the Earl of Gloucester. Edmund refers to the king's daughters, Goneril and Regan, as "profaners" because they disrespect their father's authority and engage in acts of deceit.
- In "Henry IV, Part 2," the character of Falstaff refers to the Lord Chief Justice as "a profane fellow" because he upholds the law and imposes moral restrictions on the dissolute lifestyle of Falstaff and his companions.
- In "The Tempest," the character of Caliban refers to the shipwrecked sailors as "profaners" because they disturb the natural harmony and purity of the island.
Overall, the term "profaners" in Shakespeare's plays serves to emphasize the violation or disregard for sacred, moral, or social boundaries. It can be a powerful device to highlight conflicts, underscore societal tensions, and express moral judgments.