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Lithograph Portraits of the 1700s

Unable to afford high-priced engraved printing for his manuscripts, Aloys Senefelder invented lithography in 1796. Lithography modernized portrait printing in the late 1700s by adding a color wash tone to a print. With the discovery of lithography, new techniques were developed, enabling artists to create color portraits at reasonable costs.
  1. Definition

    • Lithography was also used to print old manuscripts.

      Lithography is a flat surface printing process in which an artist creates an image with a tusche, or oil-based crayon, on a porous limestone or sheet of metal. After being fixed in an acid wash, the surface of the stone is moistened. Printing ink is then applied to the stone. A sheet of paper is laid over the stone and light pressure is applied, producing a print.

    Process

    • The chemical contrast of oil and water make lithography possible.

      Because oil and water do not mix, the oily areas drawn on the limestone when wet, repel the ink, leaving blank or clear spaces on the stone. Ink does not appear in these areas of the print.

    History

    • A watercolor wash is a transparent layer of diluted color applied with a wet brush.

      Early lithographs used more than one stone to create the print area. Color tints were applied to each stone and printed separately. Originally, most lithographs were produced to create landscapes or topographical illustrations. As portraits, lithographs were hand-colored by the artist once the main color was printed, creating a colorized portrait with a watercolor wash effect.

    Significance

    • Lithography evolved into modern day offset printing.

      Portraits could now be printed in color using several stones, one for each color. The ability to reproduce portraits and images led the way to modern offset printing, which uses metal plates to make an impression on the paper.

Fine Art

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