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Traditional Masquerade Masks

The earliest masquerade balls date back to the 15th century, but the tradition of dress-up reached its peak in Europe during the 17th and 18th centuries, primarily as a diversion for the upper classes. The temptation of hiding one’s identity through a character mask allowed members of the elite to socialize freely, even with servants. Many traditional masks were inspired by Italy’s Commedia della’arte, a theatrical form that lasted nearly four centuries. This widely improvised comic theater featured a number of stock characters made instantly recognizable by their masks.
  1. Harlequin

    • Perhaps the most iconic of the traditional masks belongs to the many characters of Harlequin – the poor man scrambling to survive and living by his wits. He is depicted as a loyal but sometimes naïve valet often in pursuit of Columbine, the servant girl of the house. Harlequin’s black half-mask has small eyeholes, symbolizing his narrow view of the world. The eyebrows are “quizzically arched,” as Britannica.com puts it, and his forehead is wrinkled.

    Pierrot

    • Pierrot appears in Commedia della’arte as a kind but sad soul who dresses in black and white. One traditional mask appears in stark white with contrasting black or red lips -- much the way a version of the character would later appear when performed by contemporary mimes. For a lovelorn Pierrot, a sentimental black teardrop adorns one cheek.

    Columbine

    • The Commedia’s one rational character is Columbine, the wise and witty ladies’ maid. Though the onstage Columbine didn’t wear a mask, her character was subsequently depicted for costume balls with a lively, colorful half-mask that could take the shape of a cat. An even briefer version covers only her eyes for a more flirtatious appearance.

    Pulcinella

    • The character of Pulcinella, who appeared in various forms, began as a simple-minded servant – often portrayed as a hunchback – who evolved into a lovestruck soul sometimes depicted as an authority figure. A long, beaked nose highlights Pulcinella’s mask, which also may feature a large wart on the forehead. The character speaks in a high, chirping voice. These bird-like qualities hearken to his name, derived from the Italian “pulcino” (little chicken).

    Capitano

    • Capitano, the boastful soldier, is actually a coward who runs off at the first sign of danger. His mask is styled with “angry” brows and thick beak-like nose to create an impression of power – all the better to counterpoint his real character. Theater Masks.com describes the Capitano look as combining the features of a pig and an eagle.

    Jester

    • Mardi Gras celebrations often feature the Court Jester, an 18th-century Venetian character who embodies high times with just a hint of danger. Various forms of this mask show Jester as smiling broadly; some smiles are offset by glaring, threatening eyes. The traditional jester’s headwear, with its triangular spikes, commonly appears on the mask; donkey ears or long, colorful strands may hang from the sides.

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