When you first receive your script, you will want to do a quick read through of all the dialogue. Don't worry about thinking about character within this first read, but rather pick up on character hints that are located within the dialogue. Try and answer these questions based on the dialogue and action notations, “What is the relationship with the other character(s)?” “What type of personality does the dialogue instantly provide you?” “What is the character’s main objective in the scene?” In a perfect audition scene, all of these questions will be answered easily, however, do not expect to get clear answers from the audition script.
After you have read through the dialogue, go back and re-read the dialogue. This time, allow yourself to interact with the other character’s dialogue. If you have a scene partner at this point, it is a great time to perform a read-through with them. However, in most cases, you will be reading the script alone. Pay attention to what the other character is saying. The worst mistake you can make is only focusing on your character’s dialogue. Acting is about reaction as well as line delivery.
In this step you will want to begin to add your own personality to the character. Remember to always make your readings as real as possible. Imagine yourself talking with one of your best friends. How would you communicate? Would you say a sentence all at once, or would there be slight pauses between the words? By creating a casual conversation atmosphere within a scene, you will be able to appear as a real character, and not simply an actor reading lines. This will allow those who are watching you (casting directors, producers, etc.) to see you as the character, even if you have no idea who the character actually is.
Pay attention to how you are delivering a line. If you are angry in the scene, do not simply raise your voice to show your aggression. Quickly think how you would handle this situation. By adding a personal flare to the reading, the character will take on a personal shape. Do not worry about getting the character slightly wrong, because during an initial read-through you are not expected to achieve perfection within the character.
As you are performing the scene, actually listen to your scene partner. You will be surprised how your performance will be enhanced by listening and reacting based on what the other person is saying. Never read a scene with preconceived notions, allow yourself to be free with the character. By doing this, you will be able to have a character that is three-dimensional and vivid.