- The "groundlings": The open area in front of the stage, known as the "pit" or "yard," was indeed where most of the poorer spectators stood. These were typically apprentices, tradespeople, and other members of the lower social classes. They paid a penny to enter and were known as "groundlings" because they stood on the bare ground. However, it's important to note that standing was not necessarily associated with poverty. Some well-to-do individuals also chose to stand in the pit, attracted by the lively atmosphere and the close proximity to the stage.
- Seating galleries: Above the pit, there were three levels of seating galleries that offered more comfortable seating for those who could afford it. The galleries were divided into different price categories, with the highest being the "lords' rooms" at the very top. These were exclusive areas where wealthy patrons could enjoy the performances in greater comfort and privacy.
- On-stage seating: In addition to the galleries, certain privileged individuals were allowed to sit on stage itself. This practice, known as "taking a stool," was considered a mark of high social status or close association with the theater company. Only prominent noblemen, wealthy patrons, or esteemed guests would be granted this privilege. Sitting on stage provided an excellent view and allowed these individuals to be seen by the audience, further enhancing their social standing.
- Social mingling: Despite these distinctions in seating arrangements, the Globe Theatre was a relatively inclusive space where people from different social backgrounds could come together to enjoy the plays. It provided an opportunity for social mingling and interaction between people of different classes, creating a sense of community and shared experience.