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What is the Jeanette Fischer monologue in last of red hot lovers?

The play "Last of the Red Hot Lovers" by Neil Simon features a character named Barbara (not Jeanette Fischer). She has a series of four separate dates with different men in the play.

The monologue you are likely referring to is Barbara's lengthy rant about her life and her marriage with her husband, Harry. It happens at the beginning of Act Two, when she's reflecting on her date with the young and naive Bob. She expresses her frustration with her marriage, her yearning for excitement and passion, and her deep-seated loneliness.

Here's a condensed version of Barbara's monologue:

Barbara: (To herself, after Bob leaves) "Oh, God. I was so afraid he was going to ask me to marry him. I guess I should be grateful he didn't. But he was so...young. So innocent. It's like a whole world of experience has passed me by. What am I doing? I'm 35 years old. I've been married for 10 years. I have a beautiful apartment, a good life, but...it's empty. It's so empty. And I can't help but feel like I'm missing out on something. I keep telling myself that I'm happy, that I have everything I need. But do I? Am I really happy? Am I really living? I don't know. Sometimes I feel like I'm just going through the motions. Just existing. I'm not even sure what I'm looking for anymore. But I know it's not this. It's not this quiet, predictable life with Harry. I want something more. Something different. Something...passionate. Is that so wrong? Is that so terrible? I just want to feel alive again. I want to feel like I'm actually living, not just existing. Oh, God. What am I going to do?"

This monologue highlights Barbara's inner turmoil and her search for something more in her life. It's a powerful moment of introspection, where she grapples with her desires, her insecurities, and her feelings of discontent with her current situation.

It's important to note that this monologue is a crucial moment in the play, revealing Barbara's true feelings and setting the stage for the rest of the play. It's a poignant exploration of the complexities of marriage, mid-life crisis, and the search for fulfillment.

Monologues

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