Artist: Duccio di Buoninsegna
Date: c. 1315–1318
Medium: Tempera on panel
Dimensions: Diameter 14.2 cm (5.6 in)
Location: The Frick Collection, New York
The New Yorker Tondo, also known as the Tondo of the Crucifixion, is a small, circular painting by the Italian artist Duccio di Buoninsegna created around 1315–1318. It is one of the earliest known tondi (round paintings) in Western art.
Description:
The New Yorker Tondo depicts the Crucifixion of Jesus with the Virgin Mary and Saint John the Evangelist on either side. Jesus' body is depicted with a sense of realism and emotion. His head is bowed and His eyes are closed, showing His suffering. Mary is depicted on Jesus' right side, with her hands raised in anguish. Saint John is depicted on the left, looking up towards Jesus with a sorrowful expression.
Background and Significance:
The New Yorker Tondo was likely created as a devotional piece. Its small size suggests it was intended for private contemplation, rather than public display. The work demonstrates Duccio's skill in depicting human emotions and his mastery of the technique of egg tempera painting, which was commonly used in medieval panel paintings.
The Tondo also reflects the influence of the Gothic style, which placed emphasis on naturalism and emotional expression in religious art. Duccio's depiction of the Crucifixion combines both Byzantine and Gothic elements, resulting in a unique and influential work of art.
Significance:
The New Yorker Tondo is considered a masterpiece of Duccio's oeuvre and one of the most important works of art from the early 14th century. It is a significant piece of Italian Gothic art and offers a glimpse into the religious beliefs and artistic style of the time.
The Tondo's emotional intensity, skillful use of color, and attention to detail make it a powerful and moving representation of the Crucifixion. It is a valuable addition to the Frick Collection and continues to captivate viewers with its beauty and emotional impact.