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The Components of a Singing Quartet

Four-part harmony, by which four voices sing four different parts at the same time, is a foundation of choral singing. This makes the quartet an appropriate and popular grouping in every genre of vocal music, from gospel and blues to classical and pop. Although any combination of different types of voices is possible in a quartet, composers and arrangers typically write music for the voice ranges soprano, alto, tenor and bass.
  1. Soprano

    • The soprano is the highest female voice in four-part harmony. Written music places her notes in the treble clef. She has a typical range of middle C to high A and often carries the melody in a song.

    Alto

    • Alto is the second-highest voice in a four-part singing group and usually belongs to a female. Although music theory has an alto clef, an arranger usually writes the alto singing part in treble clef. On average, she sings between the G below middle C and the F two octaves above.

    Tenor

    • The tenor, usually male, has the second-lowest singing voice in a quartet. A tenor part usually appears in the treble clef or occasionally bass clef. In the treble clef, the tenor sings an octave below the note indicated. The tenor range begins with C below middle C and typically reaches the A above middle C.

    Bass

    • The bass is the lowest voice in a four-part singing group and sings music written in the bass clef. His average range is the second F below middle C to the E above middle C. More than any other part, the bass often sings an accompanying part, rather than a melody, often a "continuo" part that establishes the root note of the harmony.

    Other Arrangements

    • An all-female singing quartet may comprise just sopranos or a mixture of sopranos and altos. A male group such as a barbershop quartet may have a combination such as three tenors and one bass, or two of each.

Singing

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