Open your preferred DAW, such as Cubase or Mixcraft. Double-click the desktop icon. Depending on your computer and the program you use, it may take between 10 to 30 seconds for the program to fully launch. The last edited session will automatically open, if this isn't the session you require, click "File," select "Open Recent" and select the correct session from the sub-menu.
Click the "S" icon on the vocal channel strip. This solos the audio and mutes all other sound, allowing you to listen to your modifications in isolation.
Click "Play" so you can hear the adjustments you make in real-time.
Click "Effects" and select "Compression." This is a dynamic effect that tempers the volume peaks and dips in the audio, creating a more level and balanced track. By pushing the parameters, you can tease out some interesting dynamics. Set the "Threshold" to around 20 per cent. The threshold parameter governs the volume level at which the compressor kicks in. The lower the threshold, the less volume required for the compressor to kick in.
Adjust the "Ratio" dial to around 60 per cent. The ratio parameter governs the intensity of the cut and boost. Setting it relatively high creates a warm, "fuzzy" sound. The verse vocal in "American Idiot" by Green Day features a prominent example of this type of compression.
Click "Tools" and select "Equalization." This tool lets you boost and cut various frequencies present in your vocal. Tweak the slider dials and experiment with cutting and boosting the frequencies. Boost the frequencies between 200 and 400KHz to enhance the "body" of the voice, as distinct from the resonance or ambiance.
Click "Effects" and select "Reverb." This is a time-based effect that adds ambiance to the vocal. It is similar to, but distinct from echo. Tweak the "Depth" dial to increase and reduce the intensity of the effect. George Michael's haunting vocal on "Jesus to a Child" features a notable example of deep reverb.