Record a demo. Arrange a recording session at an affordable studio or use home-studio software such as Pro Tools or Logic to record your three best songs. Make the best quality recording you can, but focus on creating something that represents your talent as a rapper. It’s pointless spending money on high production values at this stage because if you secure a recording contract, the label will typically have you re-record your demos with a producer of their choosing.
Write a biography. This is where you attempt to get the attention of the artist and repertoire (A&R) scout in order to persuade himto listen to your songs. Describe your sound and include any relevant press clippings such as reviews and interviews you have so far. Keep the bio short and focus on what makes you unique.
Arrange a showcase. Take a break from performing for a couple of months and book a venue in Baton Rouge for one night. Trill’s headquarters are in Baton Rouge, so it is more likely that a scout will attend your show if you are in town. The “Best of Baton Rouge” website has an index of local night clubs, including those with live entertainment. Pick one that has a history of hosting rap artists.
Submit your demo and bio to a manager. Trill Entertainment does not accept unsolicited demos. This means they only listen to demos submitted by people they have an existing relationship with or by people with proven credentials, such as managers of other artists. Read the credits on albums by artists you associate with. The credits typically have management and details. If the manager or attorney sees commercial potential, they may submit the album to Trill. In return, they will typically expect you to sign an agreement confirming that if their approach leads to a deal that they will receive a cut.