a. Solo Cantatas:
- "Ich habe genug" (BWV 82)
- "Widerstehe doch der Sünde" (BWV 54)
- "Ich will den Kreuzstab gerne tragen" (BWV 56)
b. Arias from larger vocal works:
- "Erbarme dich, mein Gott" from the St. Matthew Passion (BWV 244)
- "Jesu, Joy of Man's Desiring" from the cantata "Herz und Mund und Tat und Leben" (BWV 147)
- "Sheep May Safely Graze" from the cantata "Was mir behagt, ist nur die muntre Jagd" (BWV 208)
c. Chorales:
- "Ein' feste Burg ist unser Gott" (A Mighty Fortress is Our God)
- "O Haupt voll Blut und Wunden" (O Sacred Head, Now Wounded)
- "Christ lag in Todesbanden" (Christ Lay in Death's Dark Prison)
d. Lieder (Songs with piano or lute accompaniment):
- "Der Tag, der ist so freudenreich"
- "Ich bin ein guter Hirte"
- "Mein gläubiges Herze"
e. Motets:
- "Singet dem Herrn ein neues Lied" (Sing to the Lord a New Song)
- "Jesu, meine Freude" (Jesus, My Joy)
f. Cantatas:
- "Gott ist mein König" (BWV 71): Cantata for the 1st Sunday after Epiphany
- "Christ lag in Todesbanden" (BWV 4): Easter Cantata
- "Herz und Mund und Tat und Leben" (BWV 147): Cantata for the 2nd Sunday after Trinity
These are just a few examples of the many songs that Bach wrote. His compositions display a profound understanding of vocal technique, emotional expression, and the interplay between text and music, making him one of the greatest composers of songs in the history of Western music.