Log the sound bites you gathered in the field. If your station's editing system is non-linear, wait for your photographer to ingest the video into the system. If it's tape to tape, log as soon as you get in the building. Write the SOTs out verbatim with the time codes.
Watch your stand-ups and write down the in and out time of the best one. Look for one that looks and sounds good.
Open your package script on your computer. The producer should have entered a slot in the rundown for your story. Whether you're on ENPS, AP NewsCenter or another system, open the script.
Write your anchor introduction. This will be the set-up to your package. If you have any statistics you'd like the anchor to read, create a graphic to go along with them.
Create your package by weaving the sound bites with your voice track. Use the most emotional bites you gathered. Your voice tracks shouldn't stick out. They should feel like a natural part of the story. Stick to the time your producer gave you.
Include natural sound breaks. Sound isn't just your voice and your interviewee. Nat sound makes the story complete. If your editor isn't too creative or you have specific Nat breaks you want, script them. If not, give the editor free reign to use his creativity.
Have the producer proofread the package. Once it's been approved, go into the audio booth and voice it. Say "3...2...1" before each voice track. If you mess up, say "Take 2" and denote the extra take on your script for your editor.