Plan your scene by blocking your subject on your shooting location, then positioning your main source of light somewhere in a higher or lower angle in front of the camera to get a lens flare. To provide a wrap around light on your photo, make sure you also have a strong light source placed behind or on the side of the subject. This results in the light spilling onto the subject's contours.
Use any additional source of light to serve as your fill light or to serve as accent lighting to the scene. You can also use any other camera or lighting accessories such as lens filters to alter the color or the behavior of light on the photo or gobos, diffusers or reflectors. A gobo works like a stencil placed over the main source of light to cast creative shapes as shadows falling onto the subject or any other part of the shot. A diffuser spreads the light that falls on the shot for a softer lighting effect. A reflector bounces the light source falling on the photo towards the opposite direction. All these accessories affect how the camera captures the flare and wrap around light in the photo.
Use the camera's viewfinder or LCD screen to check the position of the flare and the quality of the wrap around light that appears on the shot. The way they look depends on mathematical computations involving the behavior of light and the technical process of how a camera allows light to pass through its lens to create an image.
Simply experiment. Vary a particular camera angle. Change the distances between the camera, subject and main light source. And change the intensity and falling direction of the light. See how these variables affect the position and quality of the lens flare and wrap around light you get. Essentially, the main source of light should be somewhere facing the camera, usually on a side or extreme angle from the camera's position.
Shoot plenty of photos. Have a large available disk space for your photos so you can shoot more. This helps you create the best shot with impressive flares and wrap around lights. After shooting your first shot, take another photo on a slightly different angle or distance from your subject. Bracket your exposures. For example, shoot at f8, then f11, then f16. Do this a couple of times as each variety in positioning the camera leads to a different location and overall quality of the lens flare. For the wrap around light, this doesn't change much in terms of overall quality, unless you significantly reposition your subject or your light source.