Digital cameras are like any other camera, and you need to have a thorough understanding of their features and functions before shooting. Pay particular attention to knowing how to switch between automatic and manual modes. The Digital Journalist web site suggests selecting a camera that fits your budget and production goal. A 3-CCD (charge coupled device) sensor digital camera offers optimum color and sharpness by dedicating a CCD to each color channel. However, this camera may be too expensive. 1-CCD models produce good image quality for the web at a fraction of the cost. Although most digital video cameras have built in microphones, buying an external microphone is recommended as using a tripod, says Digital Journalist web site.
Before you even step into the field to begin shooting, you should make a checklist of your documentary's production requirements. Decide which format you will be shooting in---HD (high definition) or SD (standard definition). Determine the aspect ratio for regular TV or wide screen as well as the film's actual running time. These items should be considered and decided before you begin shooting. Write a compelling documentary script, or consider partnering with a writer. From your script create a shot-by-shot outline, and follow it throughout shooting.
Digital video cameras record color across the entire spectrum based on what they read as being pure white. If the white balance is not set to the same standard each time, your color may not be the same from segment to segment. Most digital cameras have an automatic white balance setting. If you notice a bluish or orange tint to your recording, the automatic function is not properly adjusting the white balance and will need to be corrected. The white balance usually has four settings: indoor, outdoor, auto and hold. Some higher end video cameras will allow you to set the white balance manually by using a white piece of paper.