Amalia Brugnoli first danced en pointe in 1823, but Marie Taglioni is credited with being the premiere ballerina to dance en pointe when she performed La Sylphide in 1832.
Ana Pavlova and other dancers traveled to New York, where Salvatore Capezio made pointe shoes with wide platforms, a solid box and sturdier shanks. Choreographers began to demand more from a performance, so ballerinas chose a shoe with more support.
Harriett Hoctor was known and applauded for her performances en pointe as she tapped up and down an escalator. She had pointe shoes fitted with steel shanks, but this practice did not last long because of the risk of injury should a shank snap.
The Italians developed a shoe that provided a harder box. The Russians were left lagging behind until emigre Jacob Bloch fashioned pointe shoes to suit their needs.
Although some believe a pointe shoe has a wood box, it is a satin slipper with a paper and paste boxed toe. These multi-layered boxes shape themselves to each foot.
Through the years, the ballerina has been credited with perfecting the graceful art of dancing en pointe, but it must be conceded the dancer's success has largely been shaped by the evolution of the shoes.