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Japanese Wood Block Carving Tools

The Japanese have a long tradition of woodblock carving and printmaking. In woodblock printmaking, the artist carves out a design on a flat block of wood, cutting away the parts the artist wants to leave unprinted (this is a form of relief printmaking). The artist then inks the block, and ink stays on all of the areas left uncarved. The printmaker-artist lays a sheet of paper on top of the ink block and applies pressure to create a woodblock print. Thousands of prints can be made from a single carved woodblock.
  1. Hangi-to

    • Also known as the "chokoku-to," the hangi-to is the basic Japanese woodblock carving tool, used to carve lines in the wood. It is the only asymmetrical tool in the set of Japanese woodblock tools. It has a tip and slanted edge--and there are right-handed and left-handed versions also.

      The hangi-to in fact comes in a variety of different lengths, widths and blade angles depending on the sharpness and depth of the cut the carver wants.

    Ai-suki

    • Pronounced "ah ee soo kee," the name of the ai-suki translates literally to "the in-between becomes apparent." Ai-sukis are flat blades with a slightly rounded edge. Artists push ai-sukis into the the wood to clear away larger areas between lines carved with the hangi-to.

      Most Japanese printmakers have a range of ai-sukis in varying widths, and use them all.

    Maru-nomi

    • Artists use maru-nomis with hammers or mallets to clear away large areas of wood. Since woodblocks only print what is not cut away, heavy use of the maru-nomi is necessary for sparser and simpler compositions.

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