Many artists have painted steer skulls, drawn by the purity and complexity of the form as well as by associations with death and what remains behind.
Hollywood set designer and artist David Wagnon maintains the steer skull represents "a weathered piece of the American dream."
Steer skulls in the work of Frederic Remington and other 19th century Western artists often represent the end of the Old West and "the impending doom of civilization."
Georgia O'Keefe repeatedly painted steer skulls, paradoxically seeing them as a symbol of animal life.
In 1936, photographer Arthur Rothstein caused controversy by moving a steer skull onto an area of dry, cracked earth to create a powerful image of the drought devastating Western states.
In 1942, Pablo Picasso's "Still Life With Steer's Skull" portrayed the skull as a representation of death within a cubist exploration of form.